| Title | Author | Advisor(s) |
| Things of Darkness: The Cursed Objects of British Horror Fiction, 1890-1933 | Anthony Camara | Prof. Bristow |
| How to Become an Author: The Art and Business of Literary Advice Handbooks from 1884-1940 | John Caughey | Prof. Grossman Prof. McGurl |
| "Women, and Nothing But Women": Literature and Feminine Singularity | Ronjaunee Chatterjee | Prof. Bristow |
| Tragic Laughter, Comic Tears: Genre and Affect, 1660-1760 | Vivian Davis | Prof. Nussbaum |
| The game is not up: Reading the Asian American fiction | Tara Fickle | Prof. Lee Prof. McGurl |
| Occult Americans: Discourse at the Margins of Nineteenth Century Literature | Lana Finley | Prof. Looby |
| Erotic Negativity and Victorian Aestheticism, 1864-1896 | Dustin Friedman | Prof. Bristow |
| The AIDS Poets 1988-1994: From the Deictic Fantasy to Lyric Queerness | Aaron Gorelik | Prof. Little |
| Envisioning Backgrounds: Female Orphans of the Bildungsroman | Laura Haupt | Prof. North |
| Spectral Evidence of an Invisible World: Remapping the Puritan Supernatural | Alice Henton | Michael Colacurcio |
| Necessary Evils: Tragic Form in an Age of Enlightenment | Alex Eric Hernandez | Prof. Nussbaum |
| The Surprising Times of the Modernist Novel | Katherine Isokawa | Prof. North |
| The Human Body in Civil War Literature | Allison Johnson | Prof. Colacurcio |
| Legal Culture and the Making of English Literature, 1350-1450 | Andrea Jones | Prof. Kipling |
| The Whole New American Poetry: Alternative Technologies and the Raw | Susan Lewak | Prof. North |
| Disability and Medieval Aristocracy: Werewolves, Lepers and the King's Body | Francesca Marx | Prof. Baswell Prof. Chism |
| The Rise of Writer's Block: Myths and Realities of American Literary Production | Kevin Moore | Prof. Sundquist |
| Alien Love: Passing, Race, and the Ethics of the Neighbor in Post-War African American Novels (1945-1956) | Hannah Nahm | Prof. Yarborough |
| Literature and the Public House: Regulating Sociability, 1740-1840 | Ian Newman | Prof. Makdisi |
| Time: Temporal Syncretism in Nineteenth-Century Life Writings by Black Women | Erica Ohugha | Prof. Yarborough |
| Solid Air: Atmospheric Communication and the Effacement of Character in the Victorian Novel | Justine Pizzo | Prof. Bristow Prof. Grossman |
| Breaking It New: Poetry, Prosthesis, and the Art of the Modern Body | Valerie Popp | Prof. North |
| Literary Gestations: Giving Birth to Writing, 1720-1830 | Elizabeth Raisanen | Prof. Mellor |
| Fashioning the Fashionable Novel: Social Exclusivity and the Form of English Fiction, 1824-1848 | Josephine Richstad | Prof. Grossman |
| Perpetual Refugee and the Unmaking of the Global World | Maureen Shay | Prof. Sharpe |
| Programmerhood: Composing Code and Writing Literature | David Shepard | Prof. Hayles |
| Reginald Pecock and Vernacular Pedagogy in Pre-Reformation England | Jennifer Smith | Prof. Kelly |
| Marvelous Generations: Genealogical Narratives and Romance in Late Medieval England, Portugal, and Castile | Sara Torres | Prof. Baswell Prof. Gallagher |
| Romanticism, Radicalism, and Inoculation | Fuson Wang | Prof. Makdisi Prof. Mellor |
| The Rise of Empire and of Arts": Aesthetic Culture and the Novel in Early America, 1789-1812 | Katherine Webster | Prof. Colacurcio |
| Bookish Sexualities: Fine Press Printing and the museum Archive, 1871-1914 | Daniel Williford | Prof. Bristow |
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(Extra) Ordinary People: Ginsberg and the Raw Poets