Books
BOOKS :
Selected Essays on Rhetoric by Thomas De Quincey, ed. Frederick Burwick. Carbondale: Southern Illinois University Press, 1967.
The Damnation of Newton: Goethe’s Color Theory and Romantic Perception. Berlin and New York: De Gruyter, 1986.
The Haunted Eye: Perception and the Grotesque in English and German Romanticism. Heidelberg: Carl Winter Universitätsverlag, 1987.
Approaches to Organic Form, ed. Frederick Burwick. Boston Studies in the Philosophy of Science. Dordrecht: D. Reidel Publishing Company, 1987.
Isaac Nathan and Lord Byron, A Selection of Hebrew Melodies, Ancient and Modern, ed. Frederick Burwick and Paul Douglass. Tuscaloosa: University of Alabama Press, 1988.
Coleridge’s Biographia Literaria: Text and Meaning, ed. Frederick Burwick. Columbus: Ohio State University Press, 1989.
Aesthetic Illusion: Theoretical and Historical Approaches, ed. Frederick Burwick and Walter Pape. Berlin and New York: De Gruyter, 1990.
Illusion and the Drama: Critical Theory of the Enlightenment and Romantic Era. University Park, PA: Pennsylvania State University Press, 1991.
The Crisis in Modernism: Bergson and the Vitalist Controversy, ed. Frederick Burwick and Paul Douglass. Cambridge: Cambridge University Press, 1992.
Charles Brockden Brown, Arthur Mervyn, oder Die Pest in Philadelphia. Denkwürdigkeiten aus dem Jahre 1793. Herausgegeben und mit einem Nachwort versehen von Frederick Burwick. Berlin: Henssel Verlag, 1992.
Reflecting Senses: Perception and Appearance in Literature, Cultural, and the Arts, ed. Walter Pape and Frederick Burwick. Berlin and New York: De Gruyter, 1995.
Poetic Madness and the Romantic Imagination. University Park, PA: Pennsylvania State University Press, 1996.
The Boydell Shakespeare Gallery, ed. Frederick Burwick and Walter Pape. Bottrop: Peter Pomp, 1996.
The Romantic Imagination in the Literature and Art of Germany and England, ed. Frederick Burwick and Jürgen Klein. Amsterdam: Rodopi, 1996.
Lessing’s Laokoon: Context and Reception, ed. Frederick Burwick, Poetics Today, 20/2 (Summer 1999)
Mimesis and its Romantic Reflections, Penn State University Press, 2001
Thomas De Quincey: Knowledge and Power. London: Macmillan, 2001
THE WORKS OF THOMAS DE QUINCEY:
Thomas De Quincey, Writings for the London Magazine, 1821-1823,ed. Frederick Burwick, The Works of Thomas De Quincey, vol. 3. London: Pickering and Chatto, 2000.
Thomas De Quincey, Writings for the London Magazine, 1824-1825,ed. Frederick Burwick, The Works of Thomas De Quincey, vol. 4. London: Pickering and Chatto, 2000.
Thomas De Quincey, Writings for Blackwood’s Magazine, 1844-1845,and Tait’s Magazine, 1845 1846, ed. Frederick Burwick, The Works of Thomas De Quincey, vol. 15. London: Pickering and Chatto, 2003.
Thomas De Quincey, Prefaces &c. to the collected editions, published addenda, marginalia manuscript addenda, undatable manuscripts, ed. Frederick Burwick, Grevel Lindop, et. al. The Works of Thomas De Quincey, vol. 21.London: Pickering and Chatto, 2003.
Marquis de Sade and the scientia and techne of eroticism, ed. Frederick Burwick and Kathryn Tucker. Newcastle upon Tyne: Cambridge Scholars Press, 2007
Faustus, translated by Samuel Taylor Coleridgefrom the German of Goethe. Ed. Frederick Burwick and James McKusick. Oxford: Oxford University Press, 2007.
The Oxford Handbook of Samuel Taylor Coleridge. Ed. Frederick Burwick. Oxford: Oxford University Press, 2009.
The Journal of John Waldie, Theatre Commentaries, 1799-1830. Ed. Frederick Burwick; Assisted by Lucinda Newsome. eScholarship Repository, California Digital Library, 2008.
http://repositories.cdlib.org/uclalib/dsc/waldie/
Romantic Drama: Acting and Reacting. Cambridge: Cambridge University Press, 2009.
Dante and Italy in British Romanticism. Ed. Frederick Burwick and Paul Douglass.
Houndmills, Basingstoke, Hampshire; New York: Palgrave Macmillan, 2011.
Playing to the Crowd: London Popular Theatre, 1780-1830.
Houndmills, Basingstoke, Hampshire; New York: Palgrave Macmillan, 2011.
Encyclopedia of Romanticism, 3 vols. General Editor Frederick Burwick, Associate Editors Nancy Goslee and Diane Hoeveler. Oxford: Blackwell, 2012.
Thomas Moore and Michael Kelly, The Gipsy Prince , A Critical Edition with Libretto, Musical Score, Vocal Performance, and Related Texts. Romantic Circles (October 2012).
http://www.rc.umd.edu/editions/gipsy_prince/index.html
British Pirates in Print and Performance,with Manushag Powell. Houndmills, Basingstoke, Hampshire; New York: Palgrave Macmillan, 2015.
Romanticism: Keywords. Oxford: Wiley-Blackwell, 2015.
British Drama of the Industrial Revolution. Cambridge: Cambridge University Press, 2015
A History of Romantic Literature. Oxford: Wiley-Blackwell, 2019.
EXHIBITIONS:
The Boydell Shakespeare Gallery, Bochum Museum, Germany. April 25-June 6, 1996.
The Boydell Shakespeare Gallery, Armand Hammer Museum/UCLA. January 14 – March 9, 1997.
The Boydell Shakespeare Gallery, Meany Theater, University of Washington, Seattle. April 25-June 6, 1997.
The Boydell Shakespeare Gallery, Wilson Museum, Widener University. November-December, 1997.
The Boydell Shakespeare Gallery, McMullen Museum of Art, Boston College. June-September, 1998.
The Boydell Shakespeare Gallery, Northwest Campus Auditorium, UCLA. February 2, 1999.