Kaplan 178 A
Tel: 310.825.4173 / Fax: 310.267.4339 / E-mail
B.A. Reed College, 1996
20th century British literature; History and Theory of Photography and Film; Time-based Media; Art and Climate Change; Critical Theory; Modernism and modernity
“On the Verge of Tears,” Modernism/modernity Print Plus Visualities Forum, Volume 5, Cycle 1 (2020).
“Downwrong: The Pose of Tiredness,” Modern Fiction Studies Special Issue on Modernism and Disability, 65, no. 1 (2019), pp. 207-227.
“Film’s Atmospheric Setting,” Modernism/modernity Print Plus. Cluster on Modernist Setting (March 2018).
Still Modernism: Photography, Literature, Film (Oxford University Press, 2017)
“Appropriating the Weather: Olafur Eliasson and Climate Control,” Environmental Humanities 9:1 (May 2017), 60-82.
“Stillness and the Anticinematic in the Work of Fiona Tan,” Grey Room 41 (Fall 2010), 48-71.
“The Cameraless Optic: Anna Atkins and Virginia Woolf,” ELN, Special Issue on Photography and Literature, 44.2 (Fall/Winter 2006), 87-101.
“Visual Clockwork: Photographic Time and the Instant in ‘Proteus,’” James Joyce Quarterly, Special Section on Joyce and Cinema, 42.1-2 (Summer 2006), 49-68.
Graduate: Ulysses and Modernism; Literature, Photography, Film
Undergraduate: Boredom and Anxiety in Literature and Film; Literature and Photography; Photography and Film; Introduction to Visual Culture; James Joyce; Virginia Woolf; 20th Century British Fiction; Modernism; Modernism, Film, and Technology; Modernism, Gender, and Sexuality.